Amanda is the character who revolves around everyone similarly to mama. As Jim and Tom arrive, Laura is incapacitated by fear. Tennessee Williams adopted such expressionistic techniques and integrated them into The Glass Menagerie as a way to present several of his themes. We use this information Tom gives, as a sort of flashlight as we enter the play. Like Mary, O'Neill's mother was a morphine addict, and she became so around the time O'Neill was born.
Exaggerated, unnatural stage lighting, and the use of song, and explanatory placards also were used. It is unclear as to why each author chose to include autobiographical aspects of their lives however one could suggest it was to intensify the hardships of the times in which they were living and writing. Since the story is told from Tom's memory, this indicates the absence of realism. As an able-bodied young man, he is locked into his life not by exterior factors but by emotional ones—by his loyalty to and possibly even love for Laura and Amanda. Luiz Manoel da Silva Oliveira believes that Williams is interested to show reality in an unconventional way and he reaches pure reality through breaking all conventions of realism. To bring into the prominence the pathos and plight of characters Williams introduced legends and images. Just through focusing in-depth on the texts of these writers one may begin to establish what Modern American Drama is, the foundations it started on and the ways in which it flowered.
It ends with the interior monologue of the frequently frustrated Tom Wingfield. Kramer Expressionism is the name given to a twentieth-century movement in literature and art that reacted against Realism in favor of an exaggeration of the elements of the artistic medium itself. He aims at keeping intact the sense of smooth continuity of action. These remarks are not meant as a preface only to this particular play. If we read the play with an analytical insight we come across those elements, which illustrate that some characters have still been immature. Realism claimed that whatever they are showing is the pure reality. More like a dream, expressionistic writing has no recognizable plot, conflicts, and character developments.
Williams chased an emotional truth rather than a concrete fact. Clearly, Tom views his life with his family and at the warehouse as a kind of coffin—cramped, suffocating, and morbid—in which he is unfairly confined. He gives you illusion that has the appearance of truth. This theory, in terms of the outcome — that the audience should want to make changes after watching the drama - could be used to explain the aims of Modern American Drama. But I am the opposite of a stage magician. As a girl, she could only cook angel food cake. Depicting sex and rape openly on the stage and presenting homosexuality are considered as new distortions in the subject of theater in the United States.
Nature and lifestyle of each character plays a vital role in creating events and setting the theme of the story. Another major theme is the female identity, and it is found mostly within the analysis of Mrs. Laura, like a blue rose, is special, unique, but she is also cut off from real life. His interest in the interior mirrored the new introspection within the country. They left rationalism and instead used the emotions and feelings of the characters and claimed that the reality can be expressed through the eyes of characters.
The hardships of life and trying to get that dream can be a struggle. Tom, from The Glass Menagerie, parallels Williams's life the most. Unifying features included rebellion against artistic and social conventions of the day, and bold innovation. In the drama, symbols play the most important role. For the social issues that Miller and other playwrights commented on within the period, such as family relationships, the American dream, a realist approach is best suited. Because of its considerable delicate or tenuous material, atmospheric touches and subtleties of direction play a particularly important part.
A screen displays words and images relevant to the action; music intrudes with melodramatic timing; the lights rise or dim according to the mood onstage, not the time of day; symbols like the glass menagerie are hammered home in the dialogue without any attempt at subtlety. In the seven decades since The Glass Menagerie premiered on Broadway, this play has been diversely classified as idealist, naturalist, symbolic, poetic, and romantic, among others. Tom lives with his Southern belle mother, Amanda, and his painfully shy sister, Laura. He used a well known expressionist technique, of lighting and weather showing the emotions or minds of the characters. Expressionists were obsessed with the disasters of the war; that is the reason for leaving the outside world to show the reality; in fact they hated the destruction of humanity which was occurring in the world. Morally heavy themes and tragically grand ideas were therefore significantly present as themes within abstract expressionism. Of the three Wingfields, reality has the weakest grasp on Laura.
Actors are positioned on stage as they would be in real life and rather than attention grabbing acting, lighting and sets, everything would be as in real life. Although the Wingfields are distinguished and bound together by the weak relationships they maintain with reality, the illusions to which they succumb are not merely familial quirks. One should pay attention to the very idea that Blanche is always afraid of reality, which is the excuse to live in a dream — like world. He gives you illusion that has the appearance of truth. This drama is characterized by dreamlike states rather than realism, and imagery and symbolism rather than naturalism. Detailed stage directions intensify the unrealistic setting, foreshadow and emphasize events, and develop the characters.
Laura's glass animals are not only a symbol of illusion of hope but they are actually the most important symbol for Laura and her fragility. Among them were 20th-century American writers who questioned widely-accepted beliefs. For creating theatre sets, props and space generally using hard materials. Tom—and Tennessee Williams—take full advantage of this privilege. Because The Glass Menagerie is a modernist play, which defies the illusionist conventions, it is pretty imperative to include one commentator. The qualities of glass comparable Laura's personality: like the tiny glass animals, she is delicate, beautiful in her oddness and terribly fragile. Abstract expressionism is therefore a significantly important art movement that helped.